Situated in a hilly region of
southern Switzerland, in the Pregassona district of Lugano, the Sampietro house
is one of the landmarks of contemporary architecture.
It was designed in 1979
by Mario Botta, whose distinctive style can be almost instantly noticed,
charming the passers-by with a sense of strength and balance, inscribed in pure
geometrical forms. Still, the house fits in the landscape so well that it may appear
to have risen straight from the ground, like the massive blocks of stones in
the mountains that project on the horizon.
Similar to other projects of
Mario Botta, symmetry, order, rigorous
geometry and harmonious proportions are fundamental principles that can be read
anywhere in Sampietro House, starting with the eye-catching image of the main
façade. The almost square-shaped massive wall features a symmetrical
subtraction where large windows were placed in order to flood the hall with
light. The triangular skylight crowning the facade, a leitmotiv of Botta’s
architecture, enriches the monumentality of the house.
Referring
to his approach to design, the architect states light as a starting point: “I start off from a topographical idea, of
orientation, of trying to understand how light draws spatial limits. The light
I have in mind generates space.“
Light plays a vital role in the project: the house is oriented according to the
cardinal points. As a result, the interior distribution is determined by the
different amount of natural light that every type of space requires. The
service and circulation areas are north-oriented, while the living spaces face the
western, eastern and southern sides of the house, on the first and second
floor. The basement and the ground floor feature only technical spaces and
circulation areas. On the first floor there are the kitchen, the bathroom, the
study room and the living room. On the second floor we can find two bedrooms,
two balconies, a bathroom and a dressing room.
Built
of reinforced concrete, the Sampietro House has a structural plan and its
massivity becomes an esthetic factor. The geometry of pure forms allows the
light to have the last word in determining the atmosphere inside the house,
while on the outside large windows contrast with the stone-clad walls.
Transparency and opacity blending with the careful use of symmetry and proportion
turn Mario Botta’s project into a living proof that simplicity can be the
recipe for elegance and refinement.
How can I ever thank you ?
ReplyDeleteYour description, and given details about that house have guided me a lot, as an architecture student, I'd like to thank you very much for your dedication to knowledge even though there aren't many people looking about this.
Cordially, Sam Franaikov.
I'm glad you found this article helpful, it always motivates me when I find positive feedback from the readers. Thank you for appreciation and good luck with your architecture studies!
ReplyDelete